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![]() The question is, where do you go? It happened so organically the first time around. I would like to do the difficult second album. ![]() Tell us, is there a bucket list for season two of this podcast? Mollie, she and I message one another videos on TikTok of people popping blackheads or squeezing spots which is really satisfying. I actually fall into the same camp as everyone in the office: I love a spot squeezing video. The .uk office loves Dr Pimple Popper, personally, I can’t do it – I find their appreciation for the videos more intriguing than they find Dr Pimple Popper… The Becky Hill one is her love of Dr Pimple Popper and there is no way to not make that funny. It feels closer to a non-joke song than a joke song. With Griff, can we try to reference as many box sets in a song as possible? The idea of the song is that it comes after a breakup and you’re at home alone and the only company you have in that time are the people you’re watching on television. Some of the things are about things that are unusual but not necessarily that silly. What was interesting was how far or not each of them went. I wanted something that treated the songwriting and production seriously, but the subject matter felt silly. The rules I wanted for the podcast was we would write a song that would never get made normally. Elsewhere, we have songs about Timothee Chalamet, Dr Pimple Popper – was it always the aim to sing irreverent tunes? When it comes to your one with James Arthur, props for rhyming words with antihistamines. I’m in touch with lots of people who did it, still now. People were very forthcoming and I think they all really enjoyed it. I’d never written a song or produced something, I’d played around on my keyboard like Ross from Friends.īut once I had it, it was easier to say to other people, ‘I’ve done one, you can listen to it’, and they can listen to episode zero of the podcast. The very first person I messaged was Maisie Peters who had just been signed by Ed Sheeran and I thought, maybe, I didn’t know if I could do it. I think if it happened at any other time it wouldn’t have come off, but because it was in the first lockdown and no one knew what was going on, I think everyone was in a similar situation to have some time to throw at this. I gave them the full elevator pitch on the phone. My strategy was to say, ‘hello, I’ve got an idea I’d like to talk to you about, do you have five minutes for a phone call?’ I feel like if I set out the idea in the message no one would reply. When I slid into their DMs I didn’t tell them what the project was. ![]() I was expecting no one to reply, if I’m honest. You said everyone you DMd to be involved said yes, I feel like that is unheard of We wrote it in the middle of spring, so it felt like ‘finally, we have a soundtrack for it’. When we were writing it, both of us has terrible terrible hay fever. ![]() Your song with James Arthur, Hay Fever, kicked things off and, as someone with heinous seasonal allergies, finally there is a song about it! (By the way, if you missed last week’s Big Questions with James Arthur, you can catch up here.) Congratulations on your brilliant podcast, Not Another Love Song. Honestly, is there anyone better to pose some Big Questions to than this fella? ![]() ![]() ![]() Creating your own synchronization objects in the customer namespace would require a lot of additional programming SAP recommends using those synchronization objects that are provided as standard. Important detailed information would be the extractor class for the synchronization object, if the object is used as a source object within a synchronization process and the block size is used for background processing of the mass synchronization in the context of an initial synchronization. However, you can mainly use this IMG activity as a system administrator, to get detailed information on the synchronization objects provided by SAP. In this IMG activity you can display synchronization objects provided by by for the master data synchronization and, if necessary, create your own synchronization objects. 3.Customer Vendor Integration ( CVI ) Customizing You can set number range for vendor via tcode XKN1. ![]() You can set number range for customer via tcode XDN1. SPRO -> Cross Application Components -> SAP Business Partner -> Business Partner -> Basic Settings -> Number Ranges and Groupings -> Define Groupings and Assign Number Ranges. You need to configure your business partner number range, based on your business requirement.Īfter you define number range, you need to define Groupings and Assign Number Ranges through this SPRO Path menu. ![]() SPRO -> Cross Application Components -> SAP Business Partner -> Business Partner -> Basic Settings -> Number Ranges and Groupings -> Define Number Ranges. 2.How to assign the number range BPįirst you need to define number ranges via SPRO SPRO -> Cross Application Components -> SAP Business Partner -> Business Partner -> Basic Settings -> Business Partner Roless -> Define BP Roles.Īctivate or check the box ( Hide ) to hide this role, so a user can select right roles. Select The Relevant Roles and hide the roles which are not relevant this purpose to prevent wrong selectionos by the user. Customizing SAP Business Partner Part 1 1. ![]() ![]() ![]() Light armor, troop carriers, supply trucks, Tanks, anti air, and MOBILE MISSILE LAUNCHERS!!!!! However they all can be summed up to the following categories. Once again there are a large number of different vehicles in the game. (remember to tell the heavy to hold his fire!!) To be safe its good to have a heavy gunner there to lay down suppressing fire for your sniper and officer to get away. is pretty okay with you picking their guys off. will drop the hammer of god on that position and bum rush you with infantry or tanks. Some missions as soon as your cover is blown the A.I. Why sniper and officer combo? Because the A.I. Sometimes I will pair them with my sniper and officer combo. I usually pair them with a squad of marksmen for when it hits the fan. Great for defense, ambushes, and sometimes assaults. Don't waste them and do not rely on them to kill anything. Officers are good for extending the field of view. Pair them with a officer for a field of view bonus. I use them to secure enemy artillery and♥♥♥♥♥♥off A.I. Treat snipers like gold!!! They play a huge role in the battlefield. (bounding as in, inching toward the enemy) Marksmen can also lay mines. Keep them in the woods or with good cover (use the cover command) and have them for a bounding assault. These guys are the real deal when it comes to infantry. Overall they are a relatively poor troop choice and shouldn't be trusted with important task. They are useful for large blitzs and "suicide missions" (for scouting purposes). These troops are your typical cannon fodder. close combat, marksmen, snipers, officers, LMG gunners, antitank However they all boil down to the following categories. ![]() There are a large number of different infantry types in the game. **** Please note this is from my experience with the game! You are more than welcome to add your own tips!!! Here is the linkĮach section will list a few units, what their "actual" purpose is, and how to use the effectively. ![]() Since there isn't a tutorial and this game has quite a steep learning curve i recommend new players check out the old manual. Here is tip guide for (casual) new and old players for sudden strike 1 and 2. ![]() ![]() ![]() Toy Story 2 director John Lasseter stepped down from the company permanently following an extended leave of absence after allegations of workplace sexual misconduct (a longtime staffer said Lasseter was known for " grabbing, kissing, making comments about physical attributes") came to light. Pixar has faced its own reckoning in the #MeToo era. The scene was still present in 2010 Blu-ray versions of the film, yet was silently removed from the recent rereleases that came out in June of this year. Toy Story 2 was first released in 1999, before any kind of mass public dialogue about workplace harassment and assault in the film industry had taken place. The full end credits can be seen here the now-deleted scene starts at approximately 3:29. He then ogles the dolls' butts as they pass by him before the scene cuts to the next blooper. Only then does he realize he's being watched, and sheepishly ushers the dolls out of his toy box with a line about welcoming them back whenever they need more acting tips. "You know I'm sure I can get you a part in Toy Story 3," he says as he grasps one of their hands. "And so you two are absolutely identical?" Stinky Pete lecherously asks the two dolls with a chuckle, blissfully unaware of the camera trained on him. It bears a striking resemblance to many of the allegations of sexual misconduct in Hollywood that have been reported in recent years as part of the growing #MeToo movement. The scene depicts a casting-couch-esque moment involving the film's antagonist Stinky Pete (voiced by Kelsey Grammer) and two Barbie dolls. ![]() Last month, discovered that one of these self-referential bloopers appears to be conspicuously missing from the new release of Toy Story 2, all new 4K Blu-ray versions and all new digital downloads. ![]() ![]() And though there is no shortage of secular writers writing about religion, Aboulela is the rare reverse, a novelist whose deep Muslim faith animates her explorations of Islamic identity in the secular world. The winner of the very first Caine Prize for African writing in 2000, Leila Aboulela is always briskly readable, but her intimate stories also have a depth and weight to them that stays with you long after you’ve put the book down. You have your orders go forth and read.Īvailable now: The Kindness of Enemies by Leila Aboulela (Grove Atlantic) Chain bookstores won’t carry most of these, so you might have to do something as laborious and difficult as click a link–or ask your local bookstore to place a special order–but the one thing you can’t do, any longer, is complain you have nothing to read. So if you’re looking for something to read, and you want it to have the word “African” attached to it, here are my top 25 suggestions for the first six months of the new year. All dates are for U.S. But that just means that old classics are becoming suddenly available alongside emerging new voices. Of course, we’re still playing catch-up many of these books have already been published in South Africa, Nigeria, or the UK, or in their original language. Related Content.There has never been a better time than right now to be a reader of African literature, especially in the United States (historically, an underdeveloped nation in this regard). If you, dear Open Culture readers, happen to know of any other Gordimer stories published online, please let us know in the comments sections below, and we'll add them to the roundup. Where Can I Buy Birth Control Patch In The Philippines. ' Other Gordimer stories available online include and, published respectively in The New Yorker in 20.Ĭame out in The Virginia Quarterly, also in 2007. It’s deeply political in its details-the man is a geologist at a mining company, the couple’s affair is illegal, and they cover it up by pretending that she is his servant. The story 'focusses on a love affair between a white man and a 'colored' woman in Apartheid South Africa. Below, you can also listen to author Tessa Hadley read 'City Lovers,' first published in The New Yorker in 1975. Thirteen years later, there came another first - the first of many stories she published in The New Yorker ('A Watcher of the Dead”).Īlthough, available only to the magazine's subscribers, we've managed to dig up several open ones., you can watch Gordimer read her 1999 story called ' while visiting Harvard University in 2005. The academy also added that 'her continual involvement on behalf of literature and free speech in a police state where censorship and persecution of books and people exist have made her 'the doyenne of South African letters.' ' Yesterday, The New Yorker commented that, although she wrote 15 novels, it was 'through her short fiction Gordimer made her presence felt the most.' Gordimer published her very first short story, 'Come Again Tomorrow,' in a Johannesburg magazine in 1938, when she was just 15 years old. Mon, 05:11:00 GMT encounters from africa an pdf - Encounters from Africa - An anthology of short stories has 94 ratings and 9 reviews. DOWNLOAD ENCOUNTERS FROM AFRICA AN ANTHOLOGY OF SHORT STORIES VARIOUS encounters from africa an pdf In ufology, a close encounter is an event in which a person witnesses an unidentified flying object.This. Title: Encounters From Africa An Anthology Of Short Stories Various Author: Phillipp Meister Subject: encounters from africa an anthology of short stories various Keywords: Read Online encounters from africa an anthology of. What a beautiful range of South African short stories! Short stories are the best fun. In a brief citation, the Swedish Academy, which confers the awards, referred to her as 'Nadine Gordimer, who through her magnificent epic writing has - in the words of Alfred Nobel - been of very great benefit to humanity.'Įncounters has 22 ratings and 2 reviews. Back in 1991, when she, The New York Times made: Nadine Gordimer, whose novels of South Africa portray the conflicts and contradictions of a racist society, was named winner of the 1991 Nobel Prize in Literature today as her country finally begins to dismantle the system her works have poignantly explored for more than 40 years. ![]() ![]() Publishers use these marks when books are returned to them.
![]() ![]() L street Tavern was the place where the gang spent evenings having beer and where Will introduced Skylar to his friends. But when Grafft took director Gus Van Sant through South Boston to scout locations, Van Sant was immediately drawn to several local spots, including the L Street Tavern – and no sound stage in Toronto could do them justice”. “Filming in Massachusetts in the 1990s, before officials began offering film-credit incentives, was both challenging and expensive. The tavern from outside as it was featured in the movie: My midnight movie session a few days ago was inspired by a visit to L street Tavern, the bar in South Boston (or Southie as locals call it) used as one of the filming locations for Good Will Hunting. The most mundane, everyday locations evoked a powerful sense of place.” L Street Tavern, the Bar from Good Will Hunting, Then and Now This is the beauty – and the genius – of Good Will Hunting’s scenery: Boston got to speak for itself. And the city is still home to characters like those in the film – from bohemian students and Harvard professors to young fans clad head-to-toe in Boston sports apparel. Boston is a city of neighborhoods, each with a distinct personality and proud residents. “The 1997 film resonated with audiences worldwide and is still beloved, thanks in part to its filming location. ![]() Hillary Richard in BBC article “The Boston Immortalized in Good Will Hunting” wrote: The exact table where the actors sat in Good Will Hunting Boston as a Character in the Movie Walking around MIT campus, having coffee at Harvard Square, trying to find my way in remote and slightly frightening Southie neighborhood made me see the movie I’d already watched from a new angle. Especially, a movie like Good Will Hunting where Boston is not simply a backdrop for the story, but a self-sufficing character. The point is the movie is completely different once you visited the city where it’s set. The second time around, I laughed at the weird coincidence. ![]() When I watched the movie for the first time I had no idea about Nashua or its whereabouts. Well, guess what? I live in Nashua, New Hampshire. Remember that scene when Sean (Robin Williams) asks Will (Matt Damon) what he really wants to do? Will replies: “I wanna move up to Nashua, get a nice little spread, get some sheep, and tend to them.” I’ve been living in a little New Hampshire town, 40 minutes away from Boston, for over a year. The second time happened only a few days back in my apartment in the heart of New England. When you re-watch the movie, at least for me, I am struck how I stopped focusing on the narrative at all and really focused on the scenes, the bottled moments and witty dialogue.I first watched Good Will Hunting in Russia, before I could even dream of visiting USA. Good Will Hunting is an excellent movie that falls short of the upper crust because it was maybe not daring enough. I cannot think of a more satisfying way to tell this type of story. This is not all moments of feel good triumph or acceptance, but people growing struggling and advancing with the materials put in front of them. They all do it in ways that remain true to the characters they're cast as. It is how the characters manage to feel so real.Įveryone in this movie shows moments of honesty, failure and humanity. All the usual stages of psychological development play out: denial, anger, bargaining, depression and eventual acceptance of life's trauma. ![]() Written by Affleck and Damon, the film follows 20-year-old South Boston laborer Will Hunting, an unrecognized genius who, as part of a deferred prosecution agreement after. The narrative is pretty standard: someone greater than their class and start held back by the legacy of that life trying to find a way out. Good Will Hunting is a 1997 American drama film, directed by Gus Van Sant, and starring Robin Williams, Matt Damon, Ben Affleck, Minnie Driver and Stellan Skarsgrd. That sentiment and barriers we all face accessing that virtue is the core of this movie. Matt Damon is also no slouch in that department. The soul of this movie is undoubtedly Robin Williams and his powerful ability to portrait genuine compassion woven with pain and hurt. Good Will Hunting is to me a film of authentic experience. ![]() ![]() ![]() ![]() In second place, the aim is not to create density directly in our cities, Footnote 1 but to open the door and allow it to happen through the application of a more abstract and general set of planning rules that give greater leeway for experimentation. Its primary advantage concerns favouring the socially diverse admix of human preferences, interpersonal relations, abilities, uses, activities, etc. Density is not solely a means to reduce commute times and address other sustainability issues. First of all, it is vital to realise that density per se is meaningless unless it is a tool or condition for achieving something further. Yet there are two caveats to bear in mind if we intend to prevent this new fad for density from losing its way and failing to grasp Jacobs’ lesson. Indeed, many current movements that recognise the ideal of the so-called compact city have rediscovered the advantages of density, and some have even made it their clarion call. The error of this insistence was persuasively argued by Jane Jacobs. In the early part of the twentieth century, planning theory and practice always voiced strong opposition to (building/population) density. ConclusionsĪfter having expressly laboured to avoid it for so long, the aim is not to create density directly, but to open the door and allow density to happen in our cities, thanks to more abstract and general planning rules. Its primary advantage concerns favouring the concentrated diverse admix of human preferences, tastes, abilities, know-how, uses, activities, and so forth. And even if the instrumental function of density were to be acknowledged, it is crucial to take into account that density is not solely (or merely) a tool which-in certain conditions-can be useful in reducing commute times and minimising the encroachment on undeveloped land. It addresses two main questions: Is urban density really desirable (and why)? Is it effectively manageable (and how)? Resultsĭensity per se is meaningless unless it is a tool or condition for achieving something further. ![]() MethodsĬritically considering the traditional and contemporary urban planning literature and the empirical evidence in the recent economic and geographical research, this article investigates the whys and wherefores of density in urban planning. Subsequently, planning theory and practice came to recognise the importance of density, but this return to favour requires remaining constantly alert to the possible dangers and pitfalls. The error of this insistence was persuasively argued by Jane Jacobs in the 1960s. In the early part of the twentieth century, planning theory and practice always voiced strong opposition to density. ![]() ![]() ![]() Scouts are your most powerful weapon ! Many types of units have completely different viewing angles. Tanks, for example, have the most limited field of view, while infantrymen (and especially officers, binoculars) have the widest and longest field of view. If you send combat vehicles in the first line, then enemy automatic weapons will turn them into trash before you just have time to notice the enemy. Always put a small detachment of infantrymen on the first line, it is desirable that they crawl and do not automatically attack if a threat is detected. When you see opponents, then stop the infantry. Now you can assess the threat and choose the most appropriate attack tactics. In addition to successfully completing the tutorial, we recommend that you start playing as the Allied army, and then follow the Soviet Union and ultimately play as the Germans, since in the case of the latter, you will need to know almost every aspect of the gameplay. Despite the text prompts and cutscenes that appear in many missions, the starting levels are more limited and contain fewer opponents. Later, from about the third or fourth mission, the difficulty level will gradually increase, you will have to act much more carefully. The game rewards anyone looking for a tactical approach, forcing them to flank opponents in many situations, surround enemies, or rely on scouts or artillery power. The field of view is one of the key aspects, because, for example, tanks can be blown up by hiding infantrymen even before you find them, and vice versa – you can blow up enemy tanks in this way.Įach unit has a predefined support for ammunition and fuel, which must be replenished using special trucks. Every vehicle can be damaged, its wheels can fall off, or its engine can break. You can capture vehicles in the same way as in the game Behind Enemy Lines. If necessary, you can always call for air support or strike from outside the map.īefore each mission, you select three available doctrines. Each of them focuses on one of the branches and provides various skills that can affect the course of the battle. For example, additional grenades for your soldiers, armor for tanks, or the ability to dig for the installation of anti-tank weapons. For each task you can get stars, which are used to “buy” new skills.Īmmunition and fuel trucks Sudden Strike 4 Walkthrough Tips ![]() Sudden Strike 4 is an easy challenge for seasoned RTS veterans, especially in the campaign mode. Although even such gamers will be able to find useful tips for themselves in our guide. On the other hand, the game can seem quite daunting for newcomers to the genre. ![]() If you make a mistake and lose too many soldiers, you will find that the strength of your army is too small to make the last dash. You will command the armies of the greatest countries of the Second World War. Your combat units include tanks, infantry, artillery mounts, and air support. The ongoing battles and giving orders are somewhat reminiscent of the famous Company of Heroes . However, in the game you do not have to build a base or launch a whole conveyor for the production of units. You will receive new units after completing certain objectives or as planned reinforcements. ![]() Our Sudden Strike 4 guide will help you master the basic aspects of the gameplay, find a few tips for completing the campaign. The game itself is a continuation of the famous strategy series and a pretty good successor to the previous games. While the title may seem like a 100% real-time strategy game from the outset, you will soon notice the many game decisions that are commonly found in tactical games. A Comprehensive Sudden Strike 4 Strategy Guide: Success Tips, Gameplay Basics, Gameplay Features, and More ![]() |
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